‘The credentials, milor’,’ he ventured. “You remember the man in Paris who used to follow me about—Meysey Hill they called him?” He nodded. We'll get those books into your room first. And like that gospel it meant something, something different from its phrases, something elusive, and yet something that in spite of the superficial incoherence of its phrasing, was largely essentially true. Beethoven; he’s the best of them.
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