” “What else,” Lady Lescelles murmured, “are men for?” Anna laughed. Romance! The romance of passing faces, of wires that carried voices and words to the far ends of the world, of tremendous mechanisms that propelled ships and trains! And, oh the beautiful books! She swiftly knelt upon the floor and once more gathered the books to her heart. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. 8 or 1. At luncheon, on the third day, a thick-set man with a blue jaw smiled across his table at her.
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