All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. "What proof have you of the truth of this story?" inquired Trenchard. “Now she’s all hat and ideas,” he said, with an air of humor. Good-bye. “But a boy—a boy goes out into the world and presently stands on his own feet. " Then he looked at Ruth. “You go home,” he said, at parting; “you go home.
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