Nothing would stop her, and she was prepared to face the consequences. Then as she lay very still, with her hands clinched and her black hair tumbled about her face, he came still closer and softly kissed the nape of her neck. She pointed across the road. ‘You will please to tell this—this idiot to release me. “You might at least,” she murmured, “have invented a more romantic reason. CONTENTS CHAPTER PAGE I THE CARPET-KNIGHT AND THE 7 LADY II THE ADVENTURE OF ANNABEL 15 III ANNA? OR ANNABEL? 20 IV THE TEMPERAMENT OF AN 26 ARTIST V “ALCIDE” 31 VI A QUESTION OF 36 IDENTIFICATION VII MISS PELLISSIER’S SUSPICIONS 41 VIII “WHITE’S” 45 IX BRENDON’S LUCK 54 X THE TRAGEDY OF AN 61 APPETITE XI THE PUZZLEMENT OF NIGEL 66 ENNISON XII THE POSTER OF “ALCIDE” 70 XIII “HE WILL NOT FORGET!” 76 XIV “THIS IS MY WIFE” 81 XV A MARRIAGE CERTIFICATE 89 XVI THE DISCOMFITURE OF SIR 96 JOHN XVII THE CHANGE IN “ALCIDE” 103 XVIII ANNABEL AND “ALCIDE” 109 XIX “THIS IS NOT THE END” 115 XX ANNA’S SURRENDER 121 XXI HER SISTER’S SECRET 126 XXII AN OLD FOOL 134 XXIII MONTAGUE HILL SEES LIGHT AT LAST XXIV A CASE FOR THE POLICE XXV THE STEEL EDGE OF THE TRUTH XXVI ANNABEL IS WARNED XXVII JOHN FERRINGHAM, GENTLEMAN XXVIII THE HISSING OF “ALCIDE” XXIX MONTAGUE HILL PLAYS THE GAME XXX SIR JOHN’S NECKTIE XXXI ANNA’S TEA PARTY XXXII SIX MONTHS AFTER 138 144 150 156 162 169 174 178 183 188 ANNA THE ADVENTURESS Chapter I THE CARPET-KNIGHT AND THE LADY The girl paused and steadied herself for a moment against a field gate. He was a comforting, humorous old ruffian; but there were few men in the Orient more deeply read in psychology and physiognomy. If ever she felt fatigue in these long tramps which had already taken her half over London, she never admitted it. ‘Don’t put me at the necessity of marrying the abominable little wretch. Ann Veronica, with a sigh at the cost of hospitality, made a hasty negotiation for an extra tea and for a fire in the groundfloor apartment, and preened herself carefully for the interview. As a matter of fact, I had never spoken to him before in my life. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed.
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